3 letters

 

I chose the letter K because it’s simple to draw, mostly made up of straight lines. Coloring it was a bit tricky around the corners, especially trying not to go outside the lines. The font I picked for the K is slab serif, since its rectangular ends made it easier to draw, and I thought it would look good next to the letter J. I chose the letter J for similar reasons—it’s also simple to draw with just one curve, which made it much easier to color neatly. For the J, I used the Bodoni (modern) font because it has a nice curve and pairs well with the slab serif. Finally, I picked the letter Q in the Baskerville (transitional) font because it looks unique and helped me follow Mr. Hadel’s instruction to let the letter break out of the box. When combined, KQJ looks and sounds cool

I picked the letter I because it’s really simple to draw, mostly made up of straight lines. The hardest part of coloring it was getting the corners right without going outside the lines. The font I used for the I is Garamond (Old Style) because of its rectangular ends, which made it easier to draw and made it look nice next to the letter E. I chose the letter E for the same reason—it’s also easy to draw, with just one curve, which made it easy to color in neatly. For the E, I picked the Bodoni (Modern) font because of its clean curve and because I thought it paired well with the older, more classic look of Garamond. Lastly, I chose the letter O in the Helvetica (Sans Serif) font because it looks modern and helped me follow Mr. Hadel’s instruction to let the letters go beyond the box. Together, I-O-E looks cool and balanced, and I think the combination works well visually.

    

 

I also created an ‘IJH’ design, starting with the letter I for its simplicity, as it’s mostly straight lines. The challenge came when coloring it in, particularly with the corners, making sure I didn’t go outside the lines. The font I chose for the I is Garamond (Old Style) due to its clean, rectangular ends, which made it easy to draw and gave a nice contrast with the next letter. For the J, I selected the Bodoni (Modern) font, which has a smooth curve, making it easy to draw and color neatly. Lastly, for the letter H, I used a slab serif font, similar to the I, because of its straight lines and clean edges. The combination of IJH looks sleek and modern, while still being easy to draw and color in without too much complexity.